Section Director · Salon d'Automne
Founder and President of the Digital Art & Video Section. Eleven editions at the Grand Palais. The first section dedicated to authored digital art within an institution born in 1903.
For eleven editions, Isabelle Schmitt founded and directed the first Digital Art & Video Section in the history of the Salon d'Automne.
Transmission, with Isabelle, is second nature. It is listening to the gaze of an artist, a photographer, a child, detecting the singularity hidden within, and drawing it toward what it does not yet know it possesses.
A consummate technician, she gives her knowledge generously, and reveals what already exists within the other.
Hundreds of international authors mentored — from the Grand Palais to Tokyo.
Masterclass · Isabelle Schmitt Watch on YouTube ↗
Salon d'Automne · Grand Palais · FFP · Aguila Voyages · Centre Brancion · International lectures · Universities & colleges
Founder and President of the Digital Art & Video Section. Eleven editions at the Grand Palais. The first section dedicated to authored digital art within an institution born in 1903.
Member of international juries. French Photography Federation. Artist selections for the Salon d'Automne, Tokyo partnerships, institutional tributes. A gaze that reveals and consecrates.
Centre Brancion — Paris. Not a class. A shared session of image reading. Isabelle's gaze settles on the work of another, reveals its secret line, names its rightness. For accomplished photographers in search of their own self-evidence.
Around a hundred international artists mentored over ten years. Not consultancy. A listening. Detecting a singularity, drawing it toward its direction, handing over the institutional keys — Salon d'Automne, ADAGP, galleries, partnerships. Bringing a writing into being.
Round tables, salon openings, institutional dialogues. Talks on creative AI, the mutation of the image, the future of photography, the role of the author in the generative era.
Exhibition design, curatorial selection, spatial scenography. International art direction — from the Grand Palais to Tokyo partner institutions. To shape the encounter between the work and its public.